In fact, the only time a semblance of song structure creeps in is about 15 minutes into the title track, but the walls of noise soon overtake it. play their instruments to the breaking point, with blasts of drums piercing the wails of saxophones and basses. The third thing that is unique about the record is the music itself. This worked in Brötzmann’s favor, however, as it added to the “dense”-ness of the album. The second thing is that they recorded the album not in a studio but rather at a nightclub in Germany, which provided poor acoustics.
Machine gun peter brotzmann y free#
While octets in jazz are not new, they are uncommon (7 years later, Ornette Coleman used an octet for the recording of his album Free Jazz, but he split it up into two quartets who played simultaneously rather than eight musicians playing all at once). First, Brötzmann employs an octet for the recording of this album. It is harsh, brutal and unforgiving - but also captivating and mesmerizing.Īs the story goes, three things in particular make this album unique. Digging deeper with every nuance of Brötzmann’s music, the listener will find himself faced with the unknown derived from familiarity. The second person will continue listening, not out of the respect to the music, but out of morbid curiosity: “Is this a joke? When does the music start?” The third person will listen to the album, listen to it again, and keep on listening. The first person will plug their ears after 10 seconds and turn it off.
There are three different types of people who will listen to this album.
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